Step 2: Outer Skirt
“Think of the one thing you’ve always wanted, see it in you mind’s eye and feel it in your heart” ~ Beauty and the Beast 2017
Last post we examined the construction of the underskirts. Today, we will dive into the outer skirt details!
The Fabric of Choice ~ The Easy Decision!
“The layers of yellow satin organza, the gown is airy and perfect for Belle’s active character.” ~ Jacqueline Durran
“It’s still made of silk, but it has a satin finish, so it’s less transparent then other organzas.” ~ Jacqueline Durran
The costume designer tells us exactly what fabric to use and….. it’s not super expensive! Whew, what a relief! No need for guessing or finding a substitute!
But finding the perfect color?!?! Well, let’s just say that it was VERY hard and took a lot of swatch ordering (I think I spent over $30 on swatches ?).
Once I had all the swatches in my hand, I had to decide which replicated the color perfectly, but also, deciding which dress color to replicate! Yes, the dress shows up in various shades of yellow/gold, depending on the setting.
You know, they decide to edit the movie to make it look better and it often messes with the color ?…. well, I’m sure it makes the movie more enjoyable for the average viewer, but for us costume replicators, it just annoying! (I’m kidding… I know it’s a necessary manipulation.) ?
I decided to replicate the “darker” gold…. the movie coloring.
Yes, geometry is a necessary skill to have when you’re a seamstress. Well, at least a simple knowledge of geometry!
The base layer of the skirt is just over a full circle and it’s created with 3 pieces. I knew I needed a back opening, thus, I needed a seam there.
I definitely didn’t have the fabric width to cut a full circle. If I cut a 2 half circles, that would make a seam in the front…. that would definitely not work. So thus, a half circle was cut for the front, the waist wrapping past the center side by a couple inches (this was to achieve a flatter front and side of the skirt). Then 2, third circles, were cut for either side of the back. These pieces achieved a fuller back.
Here’s some pictures that show just the base skirt:
The next shorter layers were created with “almost” full circles, each with a seam in the back.
The variety of skirt lengths wasn’t too hard to replicate. The hard part was the back, pleated, ruffled thingy. As you can tell, I have no name for it and can’t describe it, so here’s a picture!
I am not going to attempt to describe my design process… I’m not going to attempt to describe the final product… I am going to show a picture of my final pattern!
Hemming the Base Skirt….By Hand!
All Cut Out and Pieced Together
The outer skirt isn’t finished yet. There’s all the detail of the gold leaf to add! But I’ve dedicated a whole post to that process!
Thanks for looking and learning with me!