Step 1: Underskirts
One never knows how long an adventure will take to complete…. In my case of replicating Belle’s Yellow Gown, this was definitely the truth!
If you read my last post, you’ll see that I’ve finally completed the dress ~ It might have taken 5 months to do so, but it is actually finished!
It’s finally time to share my adventure with you!
– The Start of a Journey (and in this case, a longer than expected journey) –
In February, I shared my process of studying the dress, ordering fabric, etc….
I also shared that I planned to replicate, what seemed to be, Belle’s undergarments.
As a matter of fact, it turned out to be true…she tears off her yellow dress (while riding on a horse….I’m not so sure how practical that was :)…) and she ends up in a white chemise and “corset”.
In the end these undergarments weren’t worn under my dress due to practicality, but here are my replica undergarments:
~ The Information on Hand ~
During my process of repliacting Cinderella’s Ball Gown, I’ve learned that the most important part of any large, voluminous, entrancing dress is the construction of it’s underskirts. They give the shape, the movement, and the support.
Based on that, the first step to creating Belle’s dress was to study and learn about the construction of the underskirts.
“There is a cage under some parts of it, but mainly it’s layers of organza that just give it a lift, for it to have lightness.” Jacqueline Durran
The first thing to discover was how much of the volume of the skirt was due to the cage vs. the layers of organza.
When the above photo came out it stumped me a bit. The dress in this photo has quite the volume, whereas the photo below shows a more reasonable sized skirt without excessive volume.
I found that the majority of the photos/videos show the smaller skirt.
I finally narrowed it down to the possibility that different dresses were used in different scenes which created conflicting attributes of the skirt. As I began seeing each picture through that opinion, I was able to pick out which scene used which dress. With this information, I was able to decide which one to make….I decided to make the smaller skirt (maybe I’ve finally come to my senses?!?! Haha!).
Next was figuring out how the underskirt was designed with “cage under some parts of it, mostly layers of organza”.
With these two photos, you can see the “bustle” to the skirt.With these two dancing photos, the bustle seems to stay in the same area and the fabric of the skirt bunches around it. This made me think that it must be some boning in that area.With the photos I just showed you, I decided the closest hoop-like structure was a lobster tail bustle, and thus, the decision was made!
~ With a Design Decision, the Construction Begins ~
Next step: adding layers and layers of organza to create volume!
Originally, I ordered 25 yards of Silk Organza for the layers of fluff and created 3 layers of circle skirts…. the result:
Even though my Instagram really took off after posting this video, I realized I needed to add more layers to achieve a larger skirt, one that would match the original! And thus, another 27 yard of organza shipped to my doorstep and several more circle skirts were created!
~ The Progression ~
~ Hemming…Hemming…Hemming!!! ~
As you probably know, hemming a circle skirt takes some time. Imagine hemming 8 layers of circle skirts. Plus I created each layer extra full by using 3, 1/2 circle pieces…. yup, that’s equivalent to 12 circle skirts!